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This page is dedicated to all my favorite lyrics and poems.
To start it off, the lyrics to the song that inspired my site name:
"Telescope Eyes"
by Eisley
Ha Ha, you humor me today, calling me out to play
With your telescope eyes, metal teeth;
I can't be seen with you.
Please don't make me cry,
Please don't make me cry,
I'm just like you...I know you know.
I'm just like you...so leave me alone
Go cry, go run away.
Let your short legs carry you away.
With your telescope eyes, metal teeth;
I can't be seen with you.
Please don't make me cry,
Please don't make me cry,
I'm just like you...I know you know
I'm just like you...so leave me alone.
"Last Train Home"
by Lostphrophets
One! Two! Three!
To every broken heart in here
Love was once a part, but now it's disappeared
She told me that it's all a part of the choices that your making
Even when you think you're right
You have to give to take
But there's still tomorrow
Forget the sorrow
And I can be on the last train home
Watch it pass the day
As it fades away
No more time to care
No more time, today
But we sing
If we're going nowhere
Yeah we sing
If it's not enough
And we sing
Sing without a reason
To ever fall in love
I wonder if you're listening
Picking up on the signals
Sent back from within
Sometimes it feels like I don't really know whats going on
Time and time again it seems like everything is wrong in here
But there's still tomorrow
Forget the sorrow
And I can be on the last train home
Watch it pass the day
As it fades away
No more time to care
No more time, today
But we sing
If we're going nowhere
Yeah we sing
If it's not enough
And we sing
Sing without a reason
To ever fall in love
Well we sing if we're going nowhere
Yeah we sing if it's not enough
And we sing
Sing without a reason to ever fall in love
But we sing
If we're going no where
Yeah we sing
If it's not enough
And we sing
Sing with out a reason to never fall in love
To never fall in love again
"Sic Transit Gloria...Glory Fades"
by Brand New
Keep the noise low.
She doesn't wanna blow it.
Shaking head to toe
while your left hand does "the show me around."
Quickens your heartbeat.
It beats me straight into the ground.
You don't recover from a night like this.
A victim, still lying in bed, completely motionless.
A hand moves in the dark to a zipper.
Hear a boy bracing tight against sheets
barely whisper, "This is so messed up."
Upon arrival the guests had all stared.
Dripping wet and clearly depressed,
he'd headed straight for the stairs.
No longer cool, but a boy in a stitch,
unprepared for a life full of lies and failing relationships.
(Up the stairs: the station where
the act becomes the art of growing up.)
He keeps his hands low.
He doesn't wanna blow it.
He's wet from head to toe and
his eyes give her the up and the down.
His stomach turns and he thinks of throwing up.
But the body on the bed beckons forward
and he starts growing up.
The fever, the focus.
The reasons that I had to believe
you weren't too hard to sell.
Die young and save yourself.
The tickle, the taste of...
It used to be the reason I breathed
but now it's choking me up.
Die young and save yourself.
She hits the lights.
This doesn't seem quite fair.
Despite everything he learned from his friends,
he doesn't feel so prepared.
She's breathing quiet and smooth.
He's gasping for air.
"This is the first and last time," he says.
She fakes a smile and presses her hips into his.
He keeps his hands pinned down at his sides.
He's holding back from telling her
exactly what it really feels like.
He is the lamb, she is the slaughter.
She's moving way too fast and all he wanted was to hold her.
Nothing that he tells her is really having an effect.
He whispers that he loves her,
but she's probably only looking for...
(Up the stairs: the station where
the act becomes the art of growing up.)
So much more than he could ever give.
A life free of lies and a meaningful relationship.
He keeps his hands pinned down at his sides.
He waits for it to end
and for the aching in his guts to subside.
The fever, the focus.
The reasons that I had to believe
you weren't too hard to sell.
Die young and save yourself.
The tickle, the taste of...
It used to be the reason I breathed
but now it's choking me up.
Die young and save yourself.
Up the stairs: the station where
the act becomes the art of growing up.
The fever, the focus.
The reasons that I had to believe
you weren't too hard to sell.
Die young and save yourself.
The tickle, the taste of...
It used to be the reason I breathed
but now it's choking me up.
Die young and save yourself.
~The Highway Man~
By Alfred Noyes
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inn door.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.
He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red coat troop came marching--
marching--marching--
King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say--
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight
throbbed to her love's refrain
Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
When they shot him down in the highway,
Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding--
Riding--riding--
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
"Blackie, the Electric Rembrandt"
by Thom Gunn
We watch through the shop-front while
Blackie draws stars--an equal
concentration on his and
the youngster's faces. The hand
is steady and accurate;
but the boy does not see it
for his eyes follow the point
that touches (quick, dark movement!)
a virginal arm beneath
his rolled sleeve: he holds his breath.
...Now that it is finished, he
hands a few bills to Blackie
and leaves with a bandage on
his arm, under which gleam ten
stars, hanging in a blue thick
cluster. Now he is starlike.
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